Insights: On Art for Social Change with Nya Lewis Williams

Insights: On Art for Social Change with Nya Lewis Williams

Art and the artist play a critical role in cultivating social justice. We connected with a Vancouver-based writer, artist, and curator Nya Lewis Williams to learn more. Nya provided the following statement:

“My name is Nya Lewis Williams, and I am grateful that the UBC Equity & Inclusion Office has asked me to share my perspectives on this topic. I am a Vancouver-based writer, artist, and curator, currently showing at the Vancouver Art Gallery & the Museum of Anthropology. I am the year-round programmer at Out on Screen, Vancouver Queer Film Festival, and an MFA student at OCAD University. My practice is rooted in self-study. I love to explore and actively archive the Black Canadian experience with all its intersections. I am a Queer first-generation Canadian of Caribbean heritage, and I approach curation like storytelling, with a strong sense of responsibility to the communities that create me.

On Black Art in Canada

“In 2017, I founded Black Art Gastown, an initiative dedicated to employing Black artists through curatorial work and community art facilitation. It has been a labor of love and, I believe, a necessary addition to the efforts to center the narratives and work of Black Canadian artists.

The legacy of Black artists in Canada is vast and decades long. It is severely under-documented and has been championed mostly by Black artists who feel a sense of belonging or duty to these histories. Nationwide, we owe a debt of gratitude to Black Film and Video Network, DAWA (Diasporic African Women’s Art Collective), the now dissolved Canadian Black Artists in Action, and the State of Blackness. These organizations and so many more work tirelessly chronicling Black Canadian artists, curators, and cultural producers and their contributions to Canadian art and, as an extension, social and political movements.”

On Challenges Faced by Black Artists

“One of the challenges Black artists often face is the burden of accountability. There is a silent (not at all silent) expectation of producing works with themes of racism, identity, identification, and belonging, so much so that it has become synonymous with Black artistry. Black artists in Canada have created a canon that is an affirmation of the nuance of the Black experience in all its forms. We owe it to Black artists to commit to addressing the complacency of non-Black artists and institutions in perpetuating the centering of Eurocentric standards of aesthetic and beauty, the systemic exclusion from public art spaces, lack of archives and improper documentation, as well as tokenism in hiring, displaying and acquisition practices.

Of course, there is no blanket experience for Black artists in Canada. Many artists like Stan Douglas and Lilian Allen have gone on to have extremely successful careers. But I believe we have not done enough to ensure these histories are accessible to the mainstream. We must acknowledge the challenges facing surrounding visibility and representation. When we challenge the perpetuation of these harmful actions, we challenge the colonial framework that upholds them. Art is a tool for social change. The role of the artist in dismantling anti-Black racism should shift as the needs of the community shift. It is a willingness to tell the truth, document the times, and give position and privilege in service to Black and Brown artists always.”

On Supporting Change and Engaging with Black Art

“Sustain your commitment to change by exploring Black artists in every genre: painting, sculpting, photography. Black artists are contributing their unique perspectives in all mediums. Support Black artist-run centers and engage by visiting exhibits, buying artwork, collecting, writing thorough reviews of their shows. Contribute to the ecosystem that supports the lifeline of commercial art.

Challenge the way you interact with Afro Diasporic culture. It is unavoidable! Much of what we acknowledge as contemporary art (especially in performance art) is rooted in African culture. The best way to advocate for Black artists is to bridge the respect, love, and consumption of Black art with the safety, respect, and love of Black people.”

Anti-racism Website, Fund Launched

Have Your Say about Gender Diversity at UBC

Activating Inclusion Toolkit

Celebrate Black History Month

Debunk: Myths about History of Black People in B.C

Contrary to the myth that Black population in British Columbia is both quite recent and negligible, there is in fact a rich Black history and presence in B.C. that can be traced back to 1858. The following are a few examples of significant events that helped shaped B.C.’s Black history:

1858: Salt Spring Island Settlement

In response to the gold rush and need for skilled labour, Black folks from California were invited to take up land in B.C. – in particular on Salt Spring Island – by the then governor James Douglas. Granted rights that had been denied to them in the United States, the British colony of B.C. was seen by Black folks in United States as a land of freedom and opportunity. Once in B.C., Black settlers were given land, were allowed to vote, and formed a local militia.

Between August 1867 and December 1868, three Black people were murdered in the tiny community of Vesuvius Bay. This struck fear in the community and led to racial tensions that threatened social cohesion in the area.

1859: Victoria Pioneer Rifle Corps

When the all-white volunteer fire department of Victoria, B.C. refused Black people in their ranks, a number of Black people volunteered their services to governor James Douglas as a militia unit. As a result, the Victoria Pioneer Rifle Company (VPRC), also known as the African Rifles, was officially sworn in on July 1861 with about 50 Black men.

The Royal Navy supplied drill sergeants and the volunteers built a drill house which soon became a social centre for the Black community.
However, pressure from white folks made Douglas pay less attention to the corps even though he was overall supportive. This pressure and subsequent disengagement by the governor resulted in VPRC being mostly inactive by 1863.

When James Douglas retired in 1864, the VPRC were not allowed to officially attend his farewell banquet. With the arrival of the new governor, Arthur Kennedy, the VPRC were again refused entry to various ceremonies and, by the spring of 1865, the unit ended up being disbanded.

1923: Hogan’s Alley

Hogan’s Alley was the unofficial name for what became the core of Vancouver’s first concentrated Black community in 1923, a T-shaped intersection at the southwestern edge of Strathcona and in the midst of a mixed neighbourhood. The Black community had established itself in the area due to the area’s proximity to the Great Northern Railway station where many of the men worked as porters.

Beginning in 1967, the City of Vancouver began levelling the western half of Hogan’s Alley to construct an interurban freeway running though the Alley and Chinatown.

The city expropriated homes and lands for these developments, reflecting the institutional racism intrinsic to North American land-use and planning where Black or Chinese neighborhoods were considered as most disposable and expendable and with least political power to fight back.

The freeway was ultimately stopped, but construction of the first phase – the Georgia viaduct – was completed in 1971. Since the demise of Hogan’s Alley, no identifiably concentrated Black businesses and restaurants have emerged in Vancouver. In recent years, there have been significant efforts to commemorate the neighbourhood through community and government initiatives.

Sources

Saltspring Island, British Columbia (Blackpast)
Salt Spring Island’s black settlers set stage for today’s community (CBC)
Victoria Pioneer Rifle Corps (Blackpast)
Hogan’s Alley Society

Thank you to Dr. Handel Wright for suggesting this topic and providing feedback on this post.

Through the Lens

Through the Lens

Through the Lens is back again with a new series of workshops!
Join speakers who are deeply connected to justice and inclusion work through their professional and lived experience. This workshop series aims to provoke meaningful conversations on issues of identity, intersectionality, diversity, equity and inclusion. Each workshop provides an opportunity to learn, connect with other UBC community members, and generate a network of allies across campus through story-telling and other resources.

Kicking us off this December on the 16th is Amar Mangat as he touches on the barriers in sign language, how the initiative overcomes them, and the perspectives on communication and accessibility.

For a full list of upcoming events, check out our our page here.

External Review of Campus Security

As part of UBC’s commitment to address systemic bias and build a more inclusive university, we are embarking on an independent external review of Campus Security.

The review is being conducted by Rubin Thomlinson LLP. It is focused on procedures and policies that govern the operations of Campus Security on both campuses, including how our security officers respond to incidents on campus.

This is one of several steps that we are taking across the university, and in the Vice-President, Finance & Operations portfolio, to advance our commitments to inclusion as expressed in the university’s strategic plan and the inclusion action plan.

We are committed to providing a safe, respectful, inclusive, and welcoming environment for all our community members. This review provides a valuable opportunity to listen and learn what more we can do — particularly when it comes to ensuring the safety of historically, persistently, or systemically marginalized students, faculty, and staff.

As part of the review, we want to hear from students, faculty and staff. You are encouraged to complete an online survey related to your awareness, perception of, and experiences with policies and procedures related to discrimination generally, and with respect to security services and resources.

You can access the survey at https://ubc.ca1.qualtrics.com/jfe/form/SV_7U6VybTfxlcqsmx.

All responses will be confidential. The deadline for comments is November 22, 2020.

Your perspectives are critical to providing the review team with the necessary insights to inform their recommendations. In addition to the survey, the review team is meeting with Campus Security staff, as well as other university stakeholders, including students, faculty, and staff from both campuses.

Please participate. Everyone’s input is valuable in improving and evolving the provision of safety and inclusion through security services and associated policies and procedures at UBC.

Peter Smailes
Vice-President, Finance & Operations

Disability Affinity Group Ready to Launch

Aligned with October as Disability Employment Awareness Month, community members at UBC are launching UBC’s first Disability Affinity Group.

What is the Disability Affinity Group?

The Disability Affinity Group will provide an opportunity for faculty and staff living with disabilities to regularly meet and build a community of support, learning, and solidarity. In addition to building a supportive and inclusive community, the group will enable participants to share knowledge, strategies, and resources that can be applied to their own experiences as disabled staff and faculty. Many disabled faculty and staff experience isolation, erasure, and fears of stigmatization that create barriers to accommodations, and impediments to respecting human rights.

From an intersectional perspective, the group aims to start the work of creating community and building safer spaces for disabled faculty and staff to share their experiences and support one another in overcoming barriers to their full and vibrant inclusion in campus life. The group will hold space for participants to share their experiences, support one another, learn about resources and supports at UBC, and engage in creative activities to promote resilience and empowerment.

Who is this group for?

This affinity group is for people who have lived experience with disability and/or identify as disabled. This group is organized and supported by staff and faculty who identify as disabled. While we respect and appreciate the engagement of our allies, we request that this space remain exclusively for those who have lived experience with disability and/or identify as disabled. We hope to welcome our allies at a future event.

Our understanding of disability is very broad. We understand disability inclusively to encompass neurodiversity, physical, mobility, sensory, learning, and cognitive disabilities, as well as chronic illnesses or pain, visible or invisible, and mental or emotional differences, through which a person’s body or mind may be perceived or experienced to be different from the “norm.” While we recognize that many Deaf people don’t identify as having a disability, we encourage Deaf and hard of hearing people to take part.

Who’s behind the group’s formation?

This group was conceptualized and created by Dr. Jennifer M. Gagnon with support from the Equity & Inclusion Office through an Equity Enhancement Fund application.

Dr. Jennifer M. Gagnon (she/her/hers) (PhD, Political Science, University of Minnesota, BA, University of British Columbia) is a sessional lecturer in the School of Journalism, Writing, and Media, Department of Political Science, and Vantage College at UBC. Her research is interdisciplinary and embraces a broad range of topics in political theory, classics, disability studies, international relations theory, qualitative methods, Universal Design for Learning (UDL),  feminism, and gender. Her main area of research is in the intersections between ancient political thought and disability studies, especially as concerns gender, inclusion and exclusion, violence, and visible and invisible disabilities. As an activist, she is involved in efforts to promote a culture of consent, LGBTQ2SIA+ inclusion, and improve accessibility both on and off-campus. Dr. Gagnon identifies as a bisexual and disabled woman and strives to bring her whole self to both her teaching and research.

Emily Yee Clare (she/they) is an Equity Facilitator at the Equity & Inclusion Office and is excited to support this important initiative in this mandate. They are a disabled mixed-race (Hong Konger/Irish) illustrator and facilitator dedicated to creating compassionate & dynamic trainings based on anti-oppression and popular education practices.

Land acknowledgment

Let us acknowledge the land that we are meeting on. We, at UBC, are meeting on the unceded, traditional, and ancestral territories of the Musqueam peoples and the Syilx Okanagan peoples.

As folks doing anti-violence work, it’s important to acknowledge the on-going connections between colonialism, ableism, education, and violence against Indigenous peoples. Canada is built on a history of occupying lands without consent, disrespecting territorial boundaries, erasing traditional ways of knowing, and infringing upon Indigenous peoples’ bodies through coercion and violence. This speaks to the living realities and histories that are experienced intimately on the land and on the body.

Please take a moment to think about whose land you are currently on. If you don’t know whose territory you are on right now, check using this website: Native-Land.ca.

New Black Artistic Expression in BC Series Celebrates Black Lives, Activism and Culture

New Black Artistic Expressions in BC four-part virtual series is about joy and resilience, fun, and activism that bears witness to what it means to be Black in BC. On September 16th, hear a performance by Entertainment Hall of Fame member Marcus Mosely, followed by Tonye Aganaba, a multidisciplinary artist, musician, and arts facilitator, on October 21st.This series is a community-university collaboration between local Black artists, IBPOC Connections: Staff and Faculty, and the Centre for Culture, Identity and Education at the University of British Columbia.